Las óleos de todo Adriaen van de Velde


ID Image  Painting (From A to Z)       Details 
98442  
Adriaen van de Velde, Agony in the Garden
 
 Agony in the Garden   1665(1665) Medium oil on canvas Dimensions Height: 126 cm (49.6 in). Width: 154 cm (60.6 in).
85871  
Adriaen van de Velde, Amusement on the Ice
 
 Amusement on the Ice   Date 1669(1669) Medium Oil on canvas on wood Dimensions Height: 33 cm (13 in). Width: 40.5 cm (15.9 in). cjr
90036  
Adriaen van de Velde, Amusement on the Ice
 
 Amusement on the Ice   1669(1669) Medium Oil on canvas on wood Dimensions Height: 33 cm (13 in). Width: 40.5 cm (15.9 in). cyf
89092  
Adriaen van de Velde, Cows on a Meadow
 
 Cows on a Meadow   1658(1658) Medium oil on oak cyf
85165  
Adriaen van de Velde, The Farm
 
 The Farm   Date 1666(1666) Medium Oil on canvas over panel cjr
89485  
Adriaen van de Velde, The Farm
 
 The Farm   1666(1666) Medium Oil on canvas over panel cyf
92108  
Adriaen van de Velde, The Farm
 
 The Farm   1666(1666) Medium Oil on canvas over panel Dimensions Height: 63 cm (24.8 in). Width: 78 cm (30.7 in). cyf

Adriaen van de Velde
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter. Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1] His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam. In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.



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